This essay reads Pericles (1608) through the lens of early modern critical whiteness studies. Tracing how the play reworks the colour-coding of its medieval source text along new racial lines, this essay sees Pericles’s melancholia as an allegory of the always incomplete condition of whiteness. It then shows how Pericles uses the erotic mechanics of romance to pursue his quest for whiteness. Ultimately, the essay underlines the relevance of Pericles’s quest to Shakespeare’s cultural moment before discussing the voices of resistance to the project of whiteness embedded within the play, and the uses of that play for our own times
This essay explores the politics of the colour scheme in John Webster’s tragedies The White Devil an...
This article argues that theories of race in the early modern period worked in tandem with national ...
This dissertation adopts the historiographic method of W.E.B Du Bois as a heuristic for analyzing th...
This essay reads Pericles (1608) through the lens of early modern critical whiteness studies. Tracin...
This essay reads Thomas Middleton and William Rowley’s The Changeling (ca 1622) as a meditation on t...
This essay reads Thomas Middleton and William Rowley’s The Changeling (ca 1622) as a meditation on t...
“Racial Prosthesis: Shakespearean Properties of Whiteness” explores the early modern English theater...
Pericles, the first of Shakespeare\u27s late plays known as the romances or tragicomedies, is one of...
This article considers the vexed question of “allyship” in Shakespeare and early modern studies. It ...
This essay examines the scenes in Shakespeare’s romances in which music has a healing and revitalizi...
This article will outline several strategies which can be used to teach Shakespeare’s poem ‘Sonnet 1...
Shakespeare and Race is a provocative new study that reveals a connection between the subject of rac...
In “Reassessing Race: Exploring the Construction of Identity and Social Hierarchies on the Early Mod...
Once viewed as the first play composed by a young Shakespeare, since the late nineteenth century Per...
This dissertation adopts the historiographic method of W.E.B Du Bois as a heuristic for analyzing th...
This essay explores the politics of the colour scheme in John Webster’s tragedies The White Devil an...
This article argues that theories of race in the early modern period worked in tandem with national ...
This dissertation adopts the historiographic method of W.E.B Du Bois as a heuristic for analyzing th...
This essay reads Pericles (1608) through the lens of early modern critical whiteness studies. Tracin...
This essay reads Thomas Middleton and William Rowley’s The Changeling (ca 1622) as a meditation on t...
This essay reads Thomas Middleton and William Rowley’s The Changeling (ca 1622) as a meditation on t...
“Racial Prosthesis: Shakespearean Properties of Whiteness” explores the early modern English theater...
Pericles, the first of Shakespeare\u27s late plays known as the romances or tragicomedies, is one of...
This article considers the vexed question of “allyship” in Shakespeare and early modern studies. It ...
This essay examines the scenes in Shakespeare’s romances in which music has a healing and revitalizi...
This article will outline several strategies which can be used to teach Shakespeare’s poem ‘Sonnet 1...
Shakespeare and Race is a provocative new study that reveals a connection between the subject of rac...
In “Reassessing Race: Exploring the Construction of Identity and Social Hierarchies on the Early Mod...
Once viewed as the first play composed by a young Shakespeare, since the late nineteenth century Per...
This dissertation adopts the historiographic method of W.E.B Du Bois as a heuristic for analyzing th...
This essay explores the politics of the colour scheme in John Webster’s tragedies The White Devil an...
This article argues that theories of race in the early modern period worked in tandem with national ...
This dissertation adopts the historiographic method of W.E.B Du Bois as a heuristic for analyzing th...